Houston Person: Trust in Me
performed by Houston Person, 1934-, Cedar Anthony Walton, 1934-2013, Alan Dawson, 1929-1996, Bob Cranshaw, 1932-2016, Paul Chambers, 1935-1969, Frankie Jones, Lenny McBrowne, 1933- and Ralph Dorsey (Prestige, 2001), 1 hour 18 mins, 13 page(s)
Details
- Field of Interest
- Jazz
- Content Type
- Music recording
- Duration
- 1 hour 18 mins
- Format
- Audio
- Sub Genre
- Soul Jazz
- Label
- Prestige
- Page Count
- 13
- Performer
- Houston Person, 1934-, Cedar Anthony Walton, 1934-2013, Alan Dawson, 1929-1996, Bob Cranshaw, 1932-2016, Paul Chambers, 1935-1969, Frankie Jones, Lenny McBrowne, 1933-, Ralph Dorsey
- Date Recorded
- 1967-10-13
- Release Date
- 2001
- Review
- Houston Person is generally considered a soul-jazz specialist whose tenor playing can be counted on to elevate a standard organ combo or groove-based session into something memorable. This set, however, demonstrates Person's reach well beyond funk and blues grooves. The CD, combining the 1967 dates Chocomotive and Trust in Me, reveals a multi-faceted player who has grasped the lessons of tenor greats from Coleman Hawkins to Gene Ammons to Sonny Rollins. This explains why when Person sits down with a Johnny Hammond, Eddie Harris, or Charles Earland he has a whole lot more in his bag than blues licks and an assertive tone. Pianist Cedar Walton is a major presence on both sets, providing a powerful, personal approach that falls somewhere between Horace Silver's sublime earthiness and Thelonious Monk's knotty logic. Veteran hard boppers Bob Cranshaw and Paul Chambers share the bass spot. The drummers are lesser-knowns Lenny McBrowne and Frankie Jones. Drummer's drummer Alan Dawson is on the Chocomotive tracks in a rare but effective turn at the vibes. Space limitations mean that "Girl Talk" and "Up, Up and Away" from the original Chocomotive are not on the compilation. On the other hand, the bonus track, a brief outing on Sonny Rollins' "Airegin," serves as a prime example of Person's abilities in a probing, straight-ahead setting. A couple of tracks veer towards a blowsy lounge style, but even on "More" (a song that has not stood the test of time) Person -- with effective work from Walton, Dawson, and Cranshaw -- steers the performance to a swinging place that transcends the tune's inherent cheesiness. ~ Jim Todd, All Music Guide
- Subject
- Jazz, Music & Performing Arts, Soul Jazz, Soul Jazz
- Keywords and Translated Subjects
- Soul Jazz